Volume II • Issue 11 • April 2005

Going Mobile
by Anthony Eldridge

I got myself a new cell phone the other day. Now, I’ve had a cell for a few years now, but this new one is way cooler. I didn’t go crazy and buy one of those fancy Blackberry or Sidekicks or any of that crap, but it does have a lot of features: color screen, camera, IM, etc. The feature I really bought the thing for was its ability to play MP3s as ringtones. Now, for a guy like me, this is a must have. Not for the technical reasons -- it is impressive that we have the technology to fit music into such a small space, although that is pretty cool -- but what it means culturally. It adds another weapon to the music geek arsenal.
 
As I’ve said many times before, music is so often used by people as a way to construct their identities, probably more so than any other aspect of culture (except maybe religion). Think about it: one of the first things that people ask when they meet someone new (in a social setting) is “what kind of music do you listen to?” Teenagers often group themselves according to music, and also by the fashions that accompany it. I have a friend (and when I day “a friend,” I mean “me”) who instantly examines a person’s record collection upon entering their house for the first time. We use music to identify ourselves and relate to others, and these “Real Tones” broadcast this information for the whole world to hear. Before now, you had to wear a concert T-shirt to let strangers know what bands you like. But now, everyone at my job, at a shop or restaurant, or... anywhere can learn that I am a Tom Waits fan. Nobody has asked for this information, but I am volunteering it anyway. It’s like carrying a boom box with you everywhere you go, only slightly more socially acceptable.
 
Not only does my new toy prop up my self-image, it lets me assign an identity to everyone I know. My phone gives me room for about 55 of these new ringtones, which is a number far greater than the amount of people who would actually call me. Because I can choose a song for virtually every person, I can simultaneously announce my tastes to the unsuspecting world, and tidily sum up everyone I know in just 15 seconds of music. For example, when my brother Joey calls, my phone plays “Blood Red Summer” by Coheed and Cambria, because we’re the only two people I know who like them. When the guys from my old band call, it plays “Everything Little This She Does is Magic” by the Police, because we used to do that song. And it’s not even exclusively rock music; when my little brother calls, my phone plays the theme from Super Mario Bros., because he’s wicked good at video games. When my work calls, I am warned by the Imperial March from Star Wars , because my company is evil. Grouping and evaluating my friends and loved ones has never been so easy!
 
Seriously, though, I really have got to hand it to the record companies, and the cell phone companies, for that matter. They have collaborated to create a new market out of thin air. All this ringtone shit is really just icing on their respective cakes: The record labels have already paid to record and promote the albums -- this is just high tech merch; and the cellular providers have already sold me the service and equipment- these are optional add-ons. But there’s no way I’m not gonna buy them, even at the stupid high prices they set. My wireless company charges $2.49 per MP3 ringtone, which is typically between 12 and 15 seconds of music. Compare that to Apple’s iTunes, which charges $.99 pop (and other digital music site even charge a little less), or just buying a actual CD, which works out again to about a buck a song, give or take. $2.50 for 15 seconds? Logically, no one should ever take that deal. But here I am. All that just to let people listen to the chorus of Thursday’s “War All the Time” when someone calls my number by accident…


Anthony Eldridge is a regular contributor to the footnote. He would be surprised to learn that other people actually do listen to and enjoy Coheed and Cambria.

Anti-Thoughts
Dustin Grovemiller
Currents
Laura Goodman
From the Cheap Seats
Cousy Kane
No Action
Anthony Eldridge
Pure Lard
D.J. Kirkbride
Confessions of a
Dingy Trooch

Bethany Shady
Gently Wtih a Chainsaw
Leigh Sholler
The Little Things
 Filling the Void  Hooray for Comics! 
Historical Footnotes    
   

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