Volume II • Issue 11 • April 2005

Hit the Deck
by Dustin Grovemiller

It’s a long-standing tradition inside my brain to become overly excited about my birthday. A lot of people seem to lose this tendency toward the end of their teenage years, but I’ve somehow held on to the idea of fun parties, lots of celebration, and the inherent increase in material possessions that comes with each passing of my natal day. So every spring, my mind starts to throw glances at the beginning of June, delighting at the sight of my birthday on the horizon. The other day, however, one of those casual glances turned into a long hard stare at what will be twenty-five candles on the cake. (For those of you over the age of thirty, this is your cue to roll your eyes and make comments of mock sympathy -- this has been the average reaction thus far.) But it’s twenty-five. It’s a big deal to someone who’s still looking at it from the lower end. Twenty-five’s an important number.

This really isn’t about turning twenty-five.

When you deal with landmark ages -- sixteen arguably being the first -- one’s brain starts to display symptoms of pre-programmed responses. In the case of twenty-five, you’re really starting to feel like you’re not a young adult anymore. You seem to get tired a lot more easily, perhaps. Teenagers seem to get more unreasonable in their attitudes, behavior, and taste in music. You start looking a little longer at things like your beer-conditioned midsection and hairlines that seem to be retreating faster than a cast of Monty Pythons when faced with a killer rabbit.

This isn’t about hairlines, either -- although isn’t it also about time to come to terms with the genetic cards that have been dealt?

This piece is about certain phases that people go through at certain ages. It seemed to be a good time to bring it up because I’m going though one of those phases right now -- and it strikes me as both sad and amusing. Much in the way that a middle-aged fellow would feel compelled to go out and buy a sports car to try and recapture his youth, I’m dealing with wanting to recapture a missing part of my earlier years, time that’s now just slipped out of my grasp. I want to be a skateboarder. A really cool skater, at that -- a reckless, public nuisance of a thrasher, complete with an insane thrill-seeking spirit, high tolerance for bailing, and a really nice pair of Vans shoes.

If my view of the situation is correct, it is my generation -- the children of the ‘80s -- that really broke open skateboarding as an outlet and sport, one that has since been developed into an art form by those damn ‘90s kids. Hell, after seeing Back to the Future when it came out in 1985, I went nuts about getting a board – my fond desire was to be just like Michael J. Fox and do cool tricks while outwitting the bad guys. At some point, I managed to talk my mom into getting me one, and I even tried to learn to ride it. The big problem with the whole thing was that our house had a gravel driveway and was in a rural area. Not exactly a great place to learn even the basics of skating, when you can’t get a surface to roll on and you don’t really want to grind on a nearby fence, because chances are good that it’s electrified to keep the cattle from running off. Other problems encountered were my lack of coordination and my deeply rooted fear of causing myself great pain brought on by an unplanned meeting of skull with ground. (This was, of course, before the suburban nation quite rightly went bonkers over the joys of protective gear.) So my skateboarding phase quickly passed and I found an alternative method of being incredibly cool and edgy, which was collecting comic books.

With twenty-five lurking over the horizon, though, my brain is obviously making last-ditch efforts to reclaim something I apparently missed in my youth. I visited a few websites, got some gear and clothing, and now in my off-hours I’m obsessed with things like trying to pull off a 540-degree cannonball, doing nosegrinds and tail slides, and wearing t-shirts representing some of the coolest board companies in the sport today, like World Industries and Hook-Ups.

Amazingly sad, yes – but now I’ll tell you the really sad part.

All the skating is taking place on a Nintendo GameCube. (The Tony Hawk Pro-Skater games specifically, which totally rule.) In a manner perhaps becoming far too commonplace in today’s society, I’ve become obsessed over something that can be done in real life, but is much more easily accomplished by sitting in front of a TV or a computer. Looking back, I’ve already probably spent about 30-40 hours of my life glued to the screen, contacts drying from lack of blinking. I wasn’t kidding about sporting some skate company gear, though -- I wear it while sitting on the couch. I’m a total poser.

So now we’ve got a slightly overweight, almost-twenty-five-year-old guy obsessed with video game skateboarding. That’s about as pathetic as it gets, right?

Wrong! My roommate’s the one with the GameCube. It’s his game, and I’ve not logged a single hour playing it. I sit on the couch and watch my buddy work his way through it, because it’s really entertaining. I’ve proclaimed myself as his “coach” and I give him encouraging advice and analysis as I watch him skate in the game. I also scream profanity-laden reprimands at him when he screws up, which might be the most enjoyable part when you get right down to it.

So, let’s sum all of this up: In response to turning twenty-five soon, I’ve somehow transformed into this guy who sits on the couch wearing skateboarding t-shirts, drinking beer (I probably forgot to mention that earlier), and berating my roommate for badly playing a game that I personally have never bothered to put into the machine.

Nice. I’m glad to see I’m becoming a mature, thoughtful person as I age.

You’ll now have to excuse me -- as I’ve been writing this last bit, the sound of the game’s intro music has been coming from the living room. I think it’s time that I go and offer my support.


Dustin is now a recovering video game voyeur. He occasionally writes things.

Anti-Thoughts
Dustin Grovemiller
Currents
Laura Goodman
From the Cheap Seats
Cousy Kane
No Action
Anthony Eldridge
Pure Lard
D.J. Kirkbride
Confessions of a
Dingy Trooch

Bethany Shady
Gently Wtih a Chainsaw
Leigh Sholler
The Little Things
 Filling the Void  Hooray for Comics! 
Historical Footnotes    
   

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